BIOGRAPHY
Bianca Kmiec (b. 1998) is a multidisciplinary creative whose work is guided by divine inspiration and a reverence for God.
Born and raised in California, she began creating large-scale resin works in 2020 after leaving the modeling industry—a season that marked both a breaking and a rebirth. Surrendering and sacrificing it all, Bianca traded the world’s image for the reflection of God, stepping into a new creation of spirit and light.
Self-taught in every sense, Bianca learned craftsmanship through instinct, patience, and prayer—developing her process layer by layer and year by year. Her work incorporates resin, gold leaf, and translucent pigment, reflecting a fascination with light, depth, and divine geometry. The materials themselves speak of resurrection: gold for divine glory, light for revelation, resin for preservation of truth.
Beyond her paintings, Bianca’s creative experience spans marketing, graphic design, and film, where she has contributed deeply to both visual and verbal storytelling. Across every discipline, her focus remains the same—to create with purpose, honesty, and reverence.
Her passage from self-image to truth mirrors the work itself: refined by fire, returned to purity, reminding us that all beauty—and all creation—belong to God.
“This work is not mine. It is His. I am simply a vessel—formed, filled, and poured out for His purpose.”
THE PURPOSE
My paintings operate as portals of remembrance.
People stand before them and feel Heaven—not because of the image itself, but because the Spirit within me communicates through the material.
Through these works, God reawakens an awareness of holiness within the material world, revealing that beauty is not vanity, but evidence of His divine order and goodness.
Through light, depth, and transparency, my art mirrors creation itself—from void to illumination, from chaos to order—allowing viewers to sense God before they even recognize His name.
I seek to bridge the divide modern culture has made between faith and art, to sanctify the contemporary, and to remind the world that He still moves through the hands of artists. The layers of resin and gold leaf physically embody that theology.
In today’s art world—often driven by ego, shock, or irony—my work moves in the opposite spirit: humility, awe, and reverence.
Through these paintings, God reveals His order, light, and beauty—awakening in the human heart the memory of Heaven and Creation.